Law Notes Intellectual Property 1 (Copyright) Notes
Detailed cases and materials summary which were instrumental in securing top of subject in 2012. Structure of notes:
Class 1: introduction to Copyright: History, Basic Principles and Subsistence
Class 2: Subsistence Continued; Literary Works
Class 3: Dramatic, Musical and Artistic Works
Class 4: Subject matter other than works
Class 5: Ownership, Duration and Exploitation
Class 6: Direct Infringement
Class 7: Authorisation of Infringement; Indirect Infringement; Paracopyright
Class 8: E...
The following is a more accessible plain text extract of the PDF sample above, taken from our Intellectual Property 1 (Copyright) Notes. Due to the challenges of extracting text from PDFs, it will have odd formatting:
S 10(1) CRA provides:
Sound recording means the aggregate of the sounds embodied in a record
Record includes a disc, tape, paper, electronic file or other device in which sounds are embodied
S 23 provides:
FTPO this Act, sounds embodied in a soundtrack associated with visual images forming part of a cinematograph film shall be deemed not to be a sound recording
A reference in this Act to a record of a work or other subject shall, unless the contrary intention appears, be read as a reference to a record by means of which the work or other subject-matter can be performed
CBS Records Australia Ltd v Telmark Teleproducts (Aust) Pty Ltd (1987) 17 FCR 48 Facts: The dispute concerned a compilation called ‘Chart Sounds 16 Hit Songs#1’ on a record/cassette. A claim was made for an interlocutory injunction on the basis that the sound recording of CS16 infringed CR in various sound recordings in which CBS had CR. One of the issues was whether a sound alike (a later sound recording by other performers which is an imitation of the original) was within the description of a copy of a sound recording. Bowen CJ remarked that the CRA and its historical context did not support the equation of the protection afforded to sound recordings with that afforded to musical works. The wording used irt sound recording would make such a reading too complex.
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S 10(1) of the CA provides the following definitions
Cinematograph film means the aggregate of the visual images embodied in an article or thing so as to be capable by the use of that article or thing:
Of being shown as a moving picture; or
Of being embodied in another article or thing by the use of which it can be so shown;
and includes the aggregate of the sounds embodied in a sound-track associated with such visual images
sound-track irt visual images forming part of a cinematograph film means:
The part of any article or thing, being an article or thing in which those visual images are embodied, in which sounds are embodied; or
A disc, tape or other device in which sounds are embodied and which is made available by the maker of the film for use in conjunction with the article or thing in which those visual images are embodied
Galaxy Electronics Pty Ltd & Anor v Sega Enterprises Ltd (1997) 75 FCR 8 Facts: The appeals raised the question of whether computer generated moving images fall within the statutory definition of a ‘cinematograph films’ – if not, no such protection will be afforded to them under CR law Wilcox J noted that the appeal concerned the display of Virtua Cop and Daytona USA for sale on the appellant’s premises. His honour went on to consider how Virtua Cop worked, in particular the fact that it required the players input and interaction in order for the game to proceed. Thus the “apparatus is designed to screen the simple story only when the correct responses to a series of cues are fed into it by the player” The key elements of the TJ’s reasoning were set out:
Conclusions
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Buy the full version of these notes or essay plans and more in our Intellectual Property 1 (Copyright) Notes.
Detailed cases and materials summary which were instrumental in securing top of subject in 2012. Structure of notes:
Class 1: introduction to Copyright: History, Basic Principles and Subsistence
Class 2: Subsistence Continued; Literary Works
Class 3: Dramatic, Musical and Artistic Works
Class 4: Subject matter other than works
Class 5: Ownership, Duration and Exploitation
Class 6: Direct Infringement
Class 7: Authorisation of Infringement; Indirect Infringement; Paracopyright
Class 8: E...
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