S 10(1) provides:
‘dramatic work’ includes
A choreographic show or other dumb show; and
A scenario or script for a cinematograph film
but does not include a cinematograph film as distinct from the scenario or script for a cinematograph film
Green v Broadcasting Corp of NZ [1989] RPC 700 Lord Bridge of Harwich noted that the dispute essentially involved the broadcast of a show which was similar to an earlier show broadcast for some 22 years in England (‘Opportunity Knocks’). The show was a talent quest of sorts. Two elements of copyright were alleged to be infringed – the scripts and the dramatic format The scripts
Dramatic Format These features were alleged to be the title, catchphrases, the use of a device called a ‘clapometer’ to measure audience reaction to competitors’ performance and the use of sponsors to introduce competitors
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Nine Films & Television Pty Ltd v Ninox Television [2005] FCA 1404 Facts: Dream Home was a successful NZ reality program – an interest in exploiting it overseas led to grants for exploitation being made in favour of Nine and the broadcast of AU Dream Home. Later, Nine made and produced two series of a TV show called The Block which Ninox alleged reproduced a substantial part of the dramatic work of Dream Home in a material form, without their license, thereby infringing CR. The essential elements of each work were set out on pp 112 and 113. Nine alleged certain key differences between the two works, in particular, differences in:
Tamberlin J: Principles His honour cited Zeccola v Universal
And also cited Tate v Fullbrook
Reproduction of a substantial part
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The interpretation section of the CRA provides no statutory definition of ‘musical work’
CBS Records Australia v Gross (1989) 15 IPR 385 Facts: In the 70s Anita Ward released a song called ‘Ring My Bell’ – CBS had CR in this work. In 1988, Collette, an aspiring singer, contacted Guy (experienced in writing/composition) to collaborate with her on songs. They recorded songs, including a cover of ‘Ring My Bell’ for which Collette sang the vocals and Guy produced the instrumental parts with a synthesiser. Subsequently, Colette made available to CBS a copy of a tape (the Trackdown Tape) including a version of Ring My Bell. CBS offered her a contract to sing a version of Ring My Bell and she accepted it. Guy alleged that the Trackdown version was an original work in which CR subsisted and he was the author of, and, that CBS infringed it by taking, copying and performing a substantial part of it. Davies J
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